In this tutorial, we will look at how to go about recreating this track in Reason 4, and also what helped make it such a successful song.

Whether you are pretty new to these packages or you just want to get away from using library loops, using these tools to create your own mangles loops can be a great way to inject some originality into your composition...

In this tutorial, you’ll learn how to create a cool ’stutter’ transition effect inside Reason 4 using two combinators. The effect is relatively easy to pull off and makes for an interesting transition to work into your songs.

Reason’s virtual synthesizers have a really great sound, but to get the most out of them, you will often need to use more than one. For total integration and fast recall of multi-instrument set ups there's no better tool than the Combinator.

In this tutorial I will show you what you need in order to begin sampling, and some of the techniques the professionals use. Lastly, I will walk you through the creation of a famous Billboard Hot 100 song. We'll be using Reason and ReCycle for this one, but the principles could be adapted to any DAW

In this tutorial I will show you how to create a slap-back BPM locked delay using 2 DDL-1 effect boxes. This effect can be used on anything. This tutorial uses Reason, but the principles should be the same in any DAW.

Reason is used by musicians across many genres; not just electronica artists, but rockers, folk artists and pop bands, too...

Side-chaining and ducking is certainly a popular topic amongst today's production fraternity. Mainly used to create pumping effects in electronic music, the process still remains a mystery to a lot of people. Things can become especially confusing when a program has its own tools for the job.